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#NEW LANA DEL REY ALBUM 2017 FULL#
Somewhere between 2015’s Honeymoon and 2017’s Lust for Life, Lana shifted her scope from winking self portraits to sweeping generational statements, and the visions throughout NFR! are full of apocalyptic urgency. (There’s even a line in “The Next Best American Record”-“Topanga’s hot tonight”-that also appeared in Lust for Life’s “Heroin.”) And of course, her references to hall of fame heavies including Neil Young, the Eagles, the Stones, and Crosby Stills & Nash are as playful as ever. From recurring characters like Billy to familiar imagery of diamonds and top-shelf liquor, Lana scholars will find plenty to obsess over throughout these wordy, interconnected ballads. Like the classic rock artists that inspire her, Lana has cultivated a body of work full of interconnected ideas that add depth and intrigue to her shadowy creative universe. Even NFR!’s quietest moments, like its title track, cast a heavenly glow, bringing her lyrics to life in new ways. In her catalog, it most closely resembles her earthy sophomore album Ultraviolence, but with its muted sense of ’70s gloom switched out for a more colorful approach. With such a small group of collaborators, the sound of the record is entirely Lana’s own, with an emphasis on piano and vocals. Even the accompanying artwork was spontaneous: blurry iPhone photos that felt a million miles away from her cinematic videos and glamorous album covers. She called these releases “ fan tracks,” and they felt like periodic transmissions from an artist at work, excitedly sharing her progress. The rollout for Norman Fucking Rockwell! kicked off just under a year ago, with the release of “ Mariners Apartment Complex” and “ Venice Bitch.” Lana followed those songs with a long, casual stream of snippets and teases on social media, occasionally sharing a full song like “ hope is a dangerous thing for a woman like me to have - but i have it” along the way. Here’s what you need to know about the album. Throughout, Lana has never sounded more in tune to her own muse-or less interested in appealing to the masses.
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The album weaves love songs for self-destructive poets, psychedelic jam sessions, and even a cover of Sublime’s “Doin’ Time” through arrangements that harken back to the Laurel Canyon pop of the ’60s and ’70s. This surreal mix of myth and reality, nostalgic visions of the past and grave warnings for the near future, total chaos and California coolness, defines the 14 songs on her fifth full-length. We’re going to go to Mars, and Trump is president, all right.” “This is where we’re at-Norman fucking Rockwell. “It was kind of an exclamation mark: so this is the American dream, right now,” she told Vanity Fair earlier this year. The title Norman Fucking Rockwell! first came to Lana Del Rey as both a joke and a revelation.